$6,000.00
b.1946
Michael Coleman was born and raised in Provo, Utah and spent his boyhood hunting, fishing and trapping throughout the Rocky Mountains, often taking a sketchbook with him. Early on, he decided on a career in art, and traveled broadly for subject matter.
Coleman quickly became a prominent Southwestern artist when in 1978, at the age of 32, he was given his first retrospective at the Buffalo Bill Historical Center. He exhibited at the National Academy of Western Art and at Kennedy Galleries in New York. Then, in 1999, he won the Prix de West Award at the National Cowboy Hall of Fame for his bronze of a moose titled “September”, which work has joined the permanent collection of the Hall of Fame.
He paints primarily in oil on board or gouache, but his work also includes bronzes. His style is greatly influenced by many of the key early 19th century masters of the Hudson River School, such as Henry Farny, Thomas Moran and George Inness, and the 20th century animal painter, Carl Rungius.
His paintings are rich in detail and muted in tone, true to the remote landscapes he chooses to illustrate. The Indian encampments, wildlife and hunting subjects portrayed against these magnificent areas are rendered in such a way as to give the viewer a sense of gazing on the past.
Coleman loves best the dusky-grey, misty, muted tones of fall and early winter and is known for his landscapes of rich colors and detail. He combines realism and atmospheric styles, often with animals depicted in those autumn settings when they are in their prime, but his pieces always suggest a balanced harmony between artist, animal, and nature.
Coleman’s works can be found in the private and public collections of Clint Eastwood, Ian Cumming, John Huntsman, Stan Kamen, President George Bush, Sr., Vice-President Dick Cheney, the Corning Museum, the Anschutz Collection, the National Wildlife Art Museum, the Buffalo Bill Historical Center, the Canadian Embassy, and the National Museum of Dubai, just to name a few.
Born: June 25, 1946, Provo, Utah
Education: Brigham Young University
Michael Coleman Painting, Oil on Board 12 X 16 (Interest categories: Oil on Board, Bear, Landscape, Painting, Wildlife Art, Fine Art, Art Gallery, Michael Coleman Artist)
1. Clay – Chavant Le Beau Touche. Get the regular clay, not HM (high melt).
2. Clay warming devices, a metal bucket with a clamp on heat lamp or 100 W bulb works great.
3. Tie wire.
4. Aluminum foil.
5. Scissors.
6. Favorite sculpture tools.
7. Plank of wood (pine) approximately 8″ x 8″ x 2″.
Bring as many planks as you wish…the wood is used as the base for your sculpture.
8. Plumber’s pipe, 1/2″ threaded: Bring several different lengths…up to 10″…not PVC pipe.
Plumber’s pipe T joint.
Plumber’s pipe couplers.
Plumber’s pipe flange.
9. Screws and screwdriver to secure the flange to wood…this may be done before you arrive. (Place flange in the center of plank)
10. Wire cutters
11. Needle nose pliers
12. Rubber mallet.
13. Spatula
14. Measuring devices such as rulers, measuring tape, dividers, and calipers.
15. Because we concentrate on BIRDS IN FLIGHT, live models in the classroom are more distracting than useful. I will demonstrate the technique of constructing a cantilevered bird armature that can be used for many different bird species and will show you how to assemble shapes to capture the “gist” of the specific bird.
16. Bird field guides such as Peterson, Stokes, Golden, or Sibley. Sibley’s Guide to Birds (not Sibley’s Guide to Bird Life and Behavior) is best if bringing only one field guide. This popular book can usually be purchased at any bookstore.
17. Bring your laptop to the class if possible.
18. Bring your sketchbook.
1 Lake Circle Colorado Springs, Colorado 80906
broadmoorgalleries.com
