I Know They’re In There


18 X 24
25 X 31 Framed
Oil on Canvas

In stock

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All great landscape artists take the time to observe their subject and internalize it until they have something to express on their canvases that is totally and uniquely theirs. Anytime I choose to paint, weather it is in New Mexico or Italy and France, I like to find the elements, no matter how small, that speak of the particular qualities that express the uniqueness of that particular subject. It can be just the warmness or coolness of the light or the rhythm of the elements in the foreground. Sometimes it is the small things in the landscape or subject, that many fail to see, that I like to discover and that add just the right note to my painting.

I have lived in New Mexico where the weather and seasonal conditions are always creating dramatic and changing effects on the mountains, valleys and mesas. I have also traveled extensively in Italy and France immersing myself in the culture of both countries. I find that the most familiar of landmarks, wherever you are, constantly take on different elements that can be fleeting and you only see that one time. It is always fun to discover those moments and use them as an inspiration for a painting.

I also want the viewer to spend time with my paintings discovering qualities that on first observation might be missed. So, I like to use the rhythm of the different elements of shape, line, tonal value and color to bring them into each painting, giving them the experience of discovery that I felt as I was creating the painting.

Rhythm is a very important element in my paintings. I treat it in a very musical way. The rhythm of the painting is very much like playing wonderful music. There are runs, pauses, small notes and repetitions along the way into and in the viewing of each of my paintings. I try for a sense of a physical movement as I guide the viewer into the landscape or subject I have chosen to paint.

Martha Mans is a master artist in both oil and watercolor. She has received her Bachelor of Arts degree from Carlow College in Pittsburgh, PA and did graduate study at the Maryland Institute of Art in Baltimore, MD and at the University of Southern California.

Her work has been included in many juried exhibitions and has received many Best of Show Awards. She is a member of the prestigious American Watercolor Society of America and the National Watercolor Society. Her work has been included in exhibitions such as the National Academy of Design in New York, the Tokyu Gallery in Tokyo and Nagano, Japan, the Artists in Embassy’s Program, United States Embassy in Guatemala, the Salmagundi Club in New York, the Art’s For the Parks in Jackson, WY and the Governor’s Invitational in Loveland, CO.

Martha is also a master instructor who has been invited to share her vast amount of knowledge in painting at workshops in places like Italy, Turkey and Brazil as well as nearly every state in he United States.

Many publications have featured her work. These include Artist’s magazine, American Artist magazine, Southwest Art Magazine as well as the books, “Making Your Paintings More Professional” by Carol Katchen, “Exploring Transparent Watercolor” by Gerald Brommer and the Best of Watercolor, Rockport Press.
Some of the corporate collections that include her work such as State of California Asilomar Collection, Southwest Bank, Mitsubishi Corp., Atmel Corp., Steven Mullens Law Offices, Colorado Springs, CO and Maruko Seimitu Kogyo Corp. Nagano, Japan.

Martha Mans is a signature member of the American Watercolor Society since 1992 and the National Watercolor Society since 1999. Other signature memberships include the Western Federation of Watercolor Societies and the New Mexico Watercolor Society. She is a recipient of the Silver Certificate of the San Diego Watercolor Society and is a member of the National Arts Club in New York. Martha is also an active member of the Pikes Peak Watercolor Society in Colorado Springs, Colorado, where she lives and has a studio.

Martha Mans Painting, Oil on Canvas 18 X 24 (Interest categories: Oil on Canvas, Landscape, Water, Painting, Traditional Paintings, Fine Art, Art Gallery, Martha Mans Artist)

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Monday – Saturday 9:30AM-5:30PM
Sunday: 9:30 AM-5:00PM

Workshop Materials List

1. Clay – Chavant Le Beau Touche. Get the regular clay, not HM (high melt).
2. Clay warming devices, a metal bucket with a clamp on heat lamp or 100 W bulb works great.
3. Tie wire.
4. Aluminum foil.
5. Scissors.
6. Favorite sculpture tools.
7. Plank of wood (pine) approximately 8″ x 8″ x 2″.
Bring as many planks as you wish…the wood is used as the base for your sculpture.
8. Plumber’s pipe, 1/2″ threaded: Bring several different lengths…up to 10″…not PVC pipe.
Plumber’s pipe T joint.
Plumber’s pipe couplers.
Plumber’s pipe flange.
9. Screws and screwdriver to secure the flange to wood…this may be done before you arrive. (Place flange in the center of plank)
10. Wire cutters
11. Needle nose pliers
12. Rubber mallet.
13. Spatula
14. Measuring devices such as rulers, measuring tape, dividers, and calipers.
15. Because we concentrate on BIRDS IN FLIGHT, live models in the classroom are more distracting than useful. I will demonstrate the technique of constructing a cantilevered bird armature that can be used for many different bird species and will show you how to assemble shapes to capture the “gist” of the specific bird.
16. Bird field guides such as Peterson, Stokes, Golden, or Sibley. Sibley’s Guide to Birds (not Sibley’s Guide to Bird Life and Behavior) is best if bringing only one field guide. This popular book can usually be purchased at any bookstore.
17. Bring your laptop to the class if possible.
18. Bring your sketchbook.

1 Lake Circle Colorado Springs, Colorado 80906