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      19 X 16
      23.75 X 27.5 Framed
      Oil on Canvas

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                  b.1858 - 1930

                  Born on 28 October 1858 in Detroit, the son of a jeweler, Julius Rolshoven enrolled at the Cooper Union Art School after being rejected by the National Academy of Design in 1876. Two years later, he was at the Düsseldorf Academy under Hugo Crola (1841-1910), a portraitist. Rolshoven transferred to Munich to study under Ludwig von Löfftz, then he became one of the “Duveneck Boys” and spent a year in Venice and some time in Florence. The Detroit Institute of Arts has his Florentine Boys (1884). He moved to Paris, now with a Venetian bride, to study at the Académie Julian where his teachers were Bouguereau and Robert-Fleury. For Rolshoven, things were looking brighter and he must have felt vindicated when the works he shipped from Paris ended up on the walls of the National Academy for their annual exhibitions of 1885 and 1889. Also in 1889, Rolshoven won a second-class silver medal at the Paris Universal Exposition (though his name does not appear in the official catalogue). According to Quick (1976, p. 126), Rolshoven “conducted a popular and successful class for an international group of students.” The artist sent Hall in the Doge’s Palace, Venice (ca. 1888) and A Spanish Dancer to the World’s Columbian Exposition in Chicago, in 1893 (both lost).

                  Rolshoven moved to London in 1896, where his wife died the following year. The artist moved away to a castle near Florence called Castello del Diavolo, practiced portrait and genre painting, and continued teaching. He submitted My Great-grandmother’s Finery (unlocated) to the Exposition Universelle of 1900, which won him an Honorable Mention. A year later, he was the recipient of a bronze medal at the Pan-American Exposition in Buffalo, where two portraits and From Tuscan Wanderings, possibly a landscape, were on view. Stebbins (1982, p. 358) mentions that Rolshoven met Chase and his group of Art Students League students in Florence, in the summer of 1907.

                  Still showing aesthetic curiosity, Rolshoven ventured to Northern Africa in 1910 and later executed a series of Tunisian paintings. The University of New Mexico has his Tunisian Bedouins (see Ackerman, 1994). Rolshoven fled France during the war years (1914-18). He visited the Panama-Pacific International Exposition in 1915 where he exhibited an Italian scene. The painter remarried a year later and discovered another exotic area, Taos, New Mexico, where he set up a studio and painted Southwestern Indian themes, for which he is well known. Rolshoven was elected an associate of the Taos Society of Artists in 1917. Two years later, he revisited Florence but returned to Taos regularly until his death in New York City, on December 7, 1930. There was a certain classicism in Rolshoven’s late period, for example, Donna Tosca, exhibited at the NAD in 1926. The elegant pose brings to mind the statuesque sitters of Sir Joshua Reynolds and the tight brushwork seems to represent a new direction for a former “Duveneck Boy.”

                  [From the archives of AskART]

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                          To our Valued Customers


                          During this time of crisis, when our lives are upended daily as new information is available, John Marzolf and the staff at the Broadmoor Galleries want to extend our heartfelt gratitude for your partnership and loyalty.  We are reminded of our strength in the community during this moment and we are truly grateful for our extended family.  We have been contacted by many of our artists, who are also concerned about our current events and they’ve decided to lower their prices during these uncertain times.  We know that as the world seems to stand, still life continues to happen - birthdays, anniversaries, Easter and Mother’s Day all will still occur and these lower prices will ease the strain at this time.  Inquire about specific pieces and Krista or Jamie will let you know the temporality lowered prices.

                          Currently, our physical locations will not be open to the public.  We hope to reopen with the Broadmoor Resort and Properties on May 22nd for Memorial Day Weekend.  Until then we plan to be fully functional through our website, social media, email, phone calls, and texts.  Explore our website’s new chat feature for immediate contact with an associate.  If you have any questions about our pieces or artists please reach out.  Our associates are able to respond to any of your inquiries and will do so promptly.

                          Gallery Directors
                          Krista Steed

                          Jamie Oberloh

                          John Marzolf
                          Broadmoor Galleries

                          We are able to ship products directly to you or arrange a safe pick up at an offsite location. If there is anything we’ve missed or any other way we can help you please let us know!

                          We’ll get through this together. Sincerely,

                          John Marzolf and the Broadmoor Galleries Staff