Rostro de Teotihuacan

$9,600.00

16 X 16
22 X 22.25 Framed
Acrylic on Panel

In stock

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b.1950

The work of Kirby Sattler is fueled by an inherent interest in the Indigenous Peoples of the Earth. His current images evolve from the history, ceremony, mythology, and spirituality of the Native American. Sattler’s ultra-detailed interpretations examine the inseparable relationship between the Indian and his natural world, reflecting a culture that had no hard line between the sacred and the mundane.

Each painting functions on the premise that all natural phenomena have souls independent of their physical beings. Under such a belief, the wearing of sacred objects were a source of spiritual power. Any object- a stone, a plait of sweet grass, a part of an animal, the wing of a bird- could contain the essence of the metaphysical qualities identified to the objects and desired by the Native American. This acquisition of “Medicine”, or spiritual power, was central to the lives of the Indian. It provided the conduit to the unseen forces of the universe which predominated their lives.

Sattler has developed his painting into a distinctive style of realism. The methodology involves the painstaking layering of transparent washes over multiple under paintings. This technique results in canvases that are rich in detail, defined textures and surfaces. With the deliberate precision given to each work, he produces a very limited number of paintings each year.

ARTIST STATEMENT
I attempt to give the viewer of my work a sense of what these sacred objects meant to the wearer; when combined with the proper ritual or prayer there would be a transference of identity. More than just aesthetic adornment, it was an outward manifestation of their identity and their inter-relatedness with their natural and spiritual world.

Kirby Sattler Painting, Acrylic on Panel 16 X 16 (Interest categories: Acrylic on Panel, Native, Indian, Painting, Western Art, Fine Art, Art Gallery, Kirby Sattler Artist)

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OPEN

Mon-Sat 9:30am-5:30pm
Sunday 9:30am-5:00pm

Workshop Materials List

1. Clay – Chavant Le Beau Touche. Get the regular clay, not HM (high melt).
2. Clay warming devices, a metal bucket with a clamp on heat lamp or 100 W bulb works great.
3. Tie wire.
4. Aluminum foil.
5. Scissors.
6. Favorite sculpture tools.
7. Plank of wood (pine) approximately 8″ x 8″ x 2″.
Bring as many planks as you wish…the wood is used as the base for your sculpture.
8. Plumber’s pipe, 1/2″ threaded: Bring several different lengths…up to 10″…not PVC pipe.
Plumber’s pipe T joint.
Plumber’s pipe couplers.
Plumber’s pipe flange.
9. Screws and screwdriver to secure the flange to wood…this may be done before you arrive. (Place flange in the center of plank)
10. Wire cutters
11. Needle nose pliers
12. Rubber mallet.
13. Spatula
14. Measuring devices such as rulers, measuring tape, dividers, and calipers.
15. Because we concentrate on BIRDS IN FLIGHT, live models in the classroom are more distracting than useful. I will demonstrate the technique of constructing a cantilevered bird armature that can be used for many different bird species and will show you how to assemble shapes to capture the “gist” of the specific bird.
16. Bird field guides such as Peterson, Stokes, Golden, or Sibley. Sibley’s Guide to Birds (not Sibley’s Guide to Bird Life and Behavior) is best if bringing only one field guide. This popular book can usually be purchased at any bookstore.
17. Bring your laptop to the class if possible.
18. Bring your sketchbook.

1 Lake Circle Colorado Springs, Colorado 80906
broadmoorgalleries.com